Utställningen pågår:
11. okt - 30. okt
NATHALIE THENGIUS : Born -89, lives in Landskrona, Sweden, Nathalie is a contemporary artist known for creating atmospheric landscape oil paintings infused with subtle surrealistic elements, which serve as her most prominent themes. She works from her art studio in Landskrona, located in the town hall, alongside several other active artists. Nathalie regularly takes part in art exhibitions and events, showcasing her unique creations to a wider audience.
“Art history and traditional painting methods is a passion of mine, and I always find myself trying to build a bridge between the traditional and the new, the historical and the futuristic. My landscapes represent different states of the mind, not actual locations. These landscapes are interlinked with my reality, with my view of myself and others. I constantly seek ways to ground myself, and painting a fictional landscape is my way of truly connect to a feeling.”
PATRICIA TRAMBEVSKI : Born -78, lives in Varberg, Sweden, Patricia Trambevski’s sculptural practice is defined by an intuitive engagement with organic form, drawing inspiration from nature’s quiet geometries and the enigmatic ecosystems beneath the ocean’s surface. Her works evoke a biomorphic sensibility—echoes of coral, sediment, aquatic flora, and ancient anatomical fragments—suggesting an imagined archaeology of life shaped by pressure, erosion, and deep time.
Using materials such as stoneware, alabaster, wood, and plaster clay, Trambevski cultivates a tactile language that privileges process and sensation over strict formalism. Her surfaces are deliberately irregular—textured, porous, and mutable—inviting touch as much as sight. The resulting sculptures appear less constructed than grown, balancing fragility with weight, silence with presence.
Trambevski’s underwater references function not merely as aesthetic cues, but as metaphors for the subconscious and the liminal. Her sculptural forms operate as embodied memories—residues of natural intelligence—blurring the line between the human body and the material world. In this way, her practice engages with larger ecological and existential questions: how we relate to our environment, how we carry history in form, and how we remember through matter.
At a time when the digital and ephemeral dominate visual culture, Trambevski’s work insists on physicality and slowness. She invites the viewer into a contemplative space—an encounter shaped by intimacy, memory, and the language of materials. Her sculptures are not meant to be decoded, but sensed: quiet witnesses to cycles of transformation both above and below the surface.